A Wrinkle in Time (2003)
About This Movie
Meg Murry, a stubborn, brilliant girl struggling with self-doubt, travels through space and time with her genius little brother and a friend to rescue her father from a cosmic evil called the IT. This television film adaptation captures the strange, cerebral quality of Madeleine L'Engle's novel, where the stakes are both cosmically vast and deeply personal. The journey through tessering, folding the fabric of space, is disorienting and wondrous in the way the book intended.
Why It's a Classic
This 2003 television film, directed by John Kent Harrison, succeeds because it prioritizes the emotional architecture of L'Engle's novel over spectacle. Katie Stuart's Meg is allowed to be angry, impatient, and self-critical in ways that feel true to the character's fierce interiority, and Alfre Woodard brings commanding presence to Mrs. Whatsit. The adaptation preserves the novel's unusual blend of quantum physics, theology, and family love, trusting young viewers to engage with genuinely complex ideas about conformity, individuality, and the nature of evil. The planet Camazotz, where everyone bounces balls and jumps rope in identical rhythm, translates L'Engle's vision of enforced sameness into something visually simple and deeply unnerving. The film understands that Meg's greatest strength is not power or intelligence but her capacity to love fiercely and imperfectly.
Fun Fact
Madeleine L'Engle's manuscript was rejected by over 26 publishers before finally being accepted in 1962, partly because editors didn't know how to categorize a children's book that dealt with quantum physics and religious philosophy. The 2003 adaptation was filmed in and around Vancouver, and the production designed Camazotz's identical suburban neighborhood by finding a real planned community and dressing it to eerie uniformity. L'Engle herself was alive during the production and expressed appreciation for the adaptation's faithfulness to the spirit of her novel.
Parent Note
Rated TV-PG and suitable for most tweens. The cosmic evil, the IT, is represented as a disembodied brain that controls minds through conformity, which is creepy in concept rather than in graphic depiction. Charles Wallace's possession is emotionally intense but not violent. The themes of self-acceptance and the power of love are central and handled without condescension. Some younger viewers may find the abstract cosmic sequences confusing rather than frightening.
Quick Facts
- Year
- 2003
- Type
- ๐ฌ Movie
- Category
- Fantasy / Sci-Fi
- Age Group
- Tweens (Ages 11โ13)